All Miranda, Juan Carreno de Oil Paintings

Spanish, 1614-1685 was a Spanish painter of the Baroque period. Born in Avil's in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolom Roman. He came to the notice of Velezquez for his work in the cloister of Doña Maria de Aragen and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcezar palace, now the Royal Palace of Madrid. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cemara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid. Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion
 

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Miranda, Juan Carreno de Charles II As Grandmaster ofthe Golden Fleece oil on canvas


Charles II As Grandmaster ofthe Golden Fleece
Charles II As Grandmaster ofthe Golden Fleece
Painting ID::  32938
  mk84 1677 Rohrau, canvas 217x141cm
  mk84 1677 Rohrau, canvas 217x141cm

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Miranda, Juan Carreno de Charles II as Grandmaster of the Golden Fleece oil on canvas


Charles II as Grandmaster of the Golden Fleece
Charles II as Grandmaster of the Golden Fleece
Painting ID::  43810
  1677 Oil on canvas, 217 x 141 cm
  1677 Oil on canvas, 217 x 141 cm

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Miranda, Juan Carreno de portrait of emperor pedro ll oil on canvas


portrait of emperor pedro ll
portrait of emperor pedro ll
Painting ID::  56241
  mk247 1855,oil on canvas,private collection
  mk247 1855,oil on canvas,private collection

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Miranda, Juan Carreno de barnabe' de ochoa de chinchetru yfernandez de zuniga oil on canvas


barnabe' de ochoa de chinchetru yfernandez de zuniga
barnabe' de ochoa de chinchetru yfernandez de zuniga
Painting ID::  64294
  1660 new york, hispanic society of america
  1660 new york, hispanic society of america

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Miranda, Juan Carreno de La reina Mariana de Austria de luto oil on canvas


La reina Mariana de Austria de luto
La reina Mariana de Austria de luto
Painting ID::  77695
  Date 1669(1669) Medium Oil on canvas Dimensions 211 ?? 125 cm (83.1 ?? 49.2 in) cyf
  Date 1669(1669) Medium Oil on canvas Dimensions 211 ?? 125 cm (83.1 ?? 49.2 in) cyf

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     Miranda, Juan Carreno de
     Spanish, 1614-1685 was a Spanish painter of the Baroque period. Born in Avil's in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolom Roman. He came to the notice of Velezquez for his work in the cloister of Doña Maria de Aragen and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcezar palace, now the Royal Palace of Madrid. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cemara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid. Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion

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